Francis Bacon Recorded in 1965, Julian Jebb interviews Francis Bacon about his contemporaries in the art world, his working practices and his personal philosophies. I only understood afterwards, by sleeping with his servants. Show more My AS art video of Francis Bacon talking about gambling and painting. 137, June 2003, pp. Bacon en boîte. IN AUTUMN 1991 the Corsican photographer Francis Giacobetti began an extraordinary series of portraits of Francis Bacon. The images help me just as much to find ideas as to create them. Bacon died that April in Madrid. For me, who doesn't have any models, it's an unbelievable source of inspiration. Contemplation allows me to imagine my version of the truth and the image that I have of this truth leads me to discover other ideas, and so on … My work becomes a chain of ideas created by various images that I look at and that I have often registered with contradictory subjects. In police inquiries, every witness has a different view of the event. Toen in meer dan 25 jaar het leven en werk van William Shakespeare en Francis Bacon heb bestudeerd en na mijn contact met de Internationale School van het Gouden Rozenkruis de rozenkruisersmanifesten las, ging ik hiertussen allerlei verbanden zien. Taschenbuch. Directed by Michael Blackwood Pairing his collection of figurative paintings with an astute conversation surrounding mortality and humanity, “Francis Bacon and the Brutality of Fact” offers personal insight into the mind of an artist. The images help me just as much to find ideas as to create them. You never retire from being vain. When you look at an image that symbolises the event, you can browse through the snapshot of it and experience it in a much stronger way, and embrace it with more intensity. By imagining, you transgress all taboos, anything is possible. At the time, it interested me. You mix the vegetables, you know the taste of each thing individually, but the blending with herbs and meat, the mixture of different molecules, produces another completely different taste. But I am lucid. Excerpts from Francis Bacon: I Painted to be Loved. 'Books: Interviews with Francis Bacon 1962-1979' 'Books: Interviews with Francis Bacon' 'Bring Bacon home: The art world continues to neglect our native genius' 'British stars and Scythian gold' 'Briton Speaks About Pain and Painting' 'Brushes with the Bottle' 'Brushes with the soldiery of the canvas' 'Buyers stampede for 'bleak' Bacons' Not to fashion, not to constraints, not to anything. Perhaps the scream is the most direct symbol of the human condition. He can’t do otherwise. Mais si on tient à l’accident, si on croit qu’on comprend l’accident, on va faire encore de When you are on a high, the result of your work is rarely something of quality: too many things are exterior. It's instinct, and it's my instinct to paint it. But I am lucid. It's very real, it's very virile. An essential and entertaining series of interviews with francis bacon by david Sylvester from 1962 to 1986, 9 interviews. But I have always been interested in pornography. When we witness an event, we are often unable to explain the details. I don’t think anyone has ever really understood that. Find your bookmarks in your Independent Premium section, under my profile. Hoe kwam je ertoe om een boek te schrijven over Francis Bacon? It's the same with books or films that I see. DS: Have you ever had any desire at all to do an abstract painting? I look at a lot of very different images, very contradictory and I take in details a bit like those people who eat off other people’s plates. A painter is alone in front of his canvas; it’s his imagination that creates, and sexuality needs to feed on images that you see or invent. C’est dans le mythique club des Bains Douches, qui a agité les nuits parisiennes des années 1980, que Francis Bacon répond, en 1987, aux questions de Thierry Ardisson, producteur de l’émission « Bain de minuit », dont est extraite cette archive. Je commence à faire toutes sortes de taches. The fact that I was asthmatic prevented me from going to school; I spent all my time with family and the priest who gave me my schooling. That gives me momentum but I don't copy photographs apart from a few Eadweard Muybridge characters that I have integrated into paintings such as L'Enfant paralytique or Les Lutteurs. Ion Ciornei, Interviuri cu Francis Bacon: brutalitatea realităţii, 2010. In the end they decided to capture their interview on video; some of it is reproduced here. That's definitely the reason why I have never painted horses. For me, who doesn’t have any models, it’s an unbelievable source of inspiration. I have only myself to think of. Picasso was a sponge, he made use of everything. Francis Bacon wäre im Oktober 2009 hundert Jahre alt geworden Anlass genug, sein Werk und die überragende Bedeutung seines Schaffens für die Kunst des 20. Beauty is the enemy of sex. Thursday 29 November 2012 16:33. He can't do otherwise. I don't think it suited me. And I have used pornographic images as well. The Francis Bacon Studio Database is the first computerised archive of the entire contents of a world ranking artist's studio. It's interesting but too graphic, too plastic. The interview was recorded by the BBC in October 1962. I invent what I paint. We always think we are making the painting that will revolutionise all painting, and that's why we keep going. At the time, it interested me. FB: I’ve had a desire to do forms, as when I originally did three forms at the base of the Crucifixion [Three Studies for Figures at the Base of a Crucifixion, 1944]. I just believe in the present moment if it has genius - in the spinning roulette ball or in the emotions that I experience when what I transmit on to the canvas works. Because they are more real than reality itself. In the book, a classic of its kind, Bacon considers the problems of realism and sheds new light on aspects of his life. Henrietta Moraes is perhaps the most successful, the one that has the best market I think. There weren't porno magazines and films like there are now. There are reproductions of my paintings all around my kitchen but I no longer see them. I have seen books of Robert Mapplethorpe. Previous Image Next Image . That is vanity, the driving force of artists. He was a racehorse trainer, a failed trainer. I've been lucky enough not to have to, but it's in my character to refuse social life, obligations, and to prefer simple people to sophisticated people. Text @ the Estate of Francis Giacobetti. It's his thoughts that enter the painting. But that's not my thing. It's like cooking. Nine interviews range from 1962 to 1986, Bacon's fifties through his seventies, in the form of interactive conversations with art historian David Sylvester (British, 1924-2001), ranging from Bacon's frustrated … And besides, I don't like the smell of horse dung, but I find it sexually arousing, like urine. An essential and entertaining series of interviews with francis bacon by david Sylvester from 1962 to 1986, 9 interviews. My temperament is strangely optimistic. Excerpts from Francis Bacon: I Painted to be Loved. You lose the excitement that only comes from a crude image. 137, June 2003, pp. FG What role did photography play in your work? Born in Dublin, he moved to London in 1928, where he earned his living as an … All taped plus has lots and lots of photos , all b&W. We die famous instead of being the unknown soldier. I mean, the act of birth is a violent thing, and the act of death is a violent thing. There are reproductions of my paintings all around my kitchen but I no longer see them. When I paint, I have the desire to paint an image that I am imagining, and this image transforms itself. Excerpts from Francis Bacon: I Painted to be Loved, Interview by Francis Giacobetti conducted on February 1992, published in The Art Newspaper, no. [2] Berüchtigt für sein Leben als bon vivant und seine Spielsucht, gelang ihm 1944 jedoch der Durchbruch als Künstler mit dem Triptychon Drei Studien zu Figuren am Fuße einer Kreuzigung (Tate Britain, London). Our journalists will try to respond by joining the threads when they can to create a true meeting of independent Premium. Photography, in my case, reflects the event in a clearer, more direct way. We have even created bombs capable of blowing up the planet a thousand times over. "Interviews with Francis Bacon" (1987) captures remarkably on paper the tortured mind of the famous British painter (1909-1992). Photograph: David Hockney . I enjoy looking at images since my obsession is painting in a representational manner, so I need to see forms and representational spaces. People frightened me. Perhaps if my childhood had been happier, I would have painted bouquets of flowers. Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born English figurative painter known for his raw, unsettling imagery. Interview with David Sylvester – Francis Bacon. The aim of this website is to provide an ever-expanding fund of information on Francis Bacon’s art and life. November 2012 im Internet Archive) auf BBC Radio 3. There weren’t porno magazines and films like there are now. We have even created bombs capable of blowing up the planet a thousand times over. I think it's often like that for artists. Added to this was my shyness ... it was like an illness. "Interviews with Francis Bacon" (1987) captures remarkably on paper the tortured mind of the famous British painter (1909-1992). He is best known for his depictions of popes, crucifixions and portraits of close friends. I look for the suggestion of an image in comparison to another. He often based his paintings on a variety of photographic images. I think it’s often like that for artists. Since its first publication, this book―with its subsequent revised and augmented editions―has been considered a classic of its kind. Each entry consists of an image and a factual account of an object. Time has done nothing to dilute their impact, or the stark honesty of the artist's words. Francis Giacobetti Tell me about your childhood. He was very, very nervous and not at all at ease. 15,80 … I think I was unhappy as a child. I invent what I paint. It's more primitive than crucifixions. Francis Bacon produced some of the most iconic images of wounded and traumatized humanity in post-war art. A signed, limited edition large-format book containing 150 of Bacon's paintings and 250 of Giacobetti's photographs, edited by Olivier Binst, will be published in 2004, priced EUR4,850. Francis Bacon: the last interview Francis Giacobetti. I am a painter of the 20th century: during my childhood I lived through the revolutionary Irish movement, Sinn Fein, and the wars, Hiroshima, Hitler, the death camps, and daily violence that I’ve experienced all my life. Hence, it's vanity and also egoism, because your work is you. The two met for the last time in early 1992. When I paint, I no longer have an age, just the pleasure or difficulty in painting. Sexuality, human emotion, everyday life, personal humiliation (you only have to watch television)―violence is part of human nature. 0 comments. I need to visualise things that lead me to other forms, that lead me to visualise forms that lead me to other forms or subjects, details, images that influence my nervous system and transform the basic idea. La tache c’est l’accident. FB I have always been very interested in photography. William Eggleston: Who’s Afraid of Magenta, Yellow and Cyan? Dimensions: 6′ 5 7/8″ x 52″ (197.8 x 132.1 cm). Optimist, because I live from day to day as if I am never going to die. (I was once a chef in a restaurant.) I call it my imagination material. Francis Bacon was an Irish-born British figurative painter known for his bold, grotesque, emotionally charged, raw imagery. My father didn't love me, that's for sure. The only things that interest me are people, their folly, their ways, their anguish, this unbelievable, purely accidental intelligence which has shattered the planet, and which maybe, one day, will destroy it. Entretien avec Francis Bacon Marguerite Duras - Je ne dessine pas. I am a painter of the 20th century: during my childhood I lived through the revolutionary Irish movement, Sinn Fein, and the wars, Hiroshima, Hitler, the death camps, and daily violence that I've experienced all my life. In the Hugh Lane Gallery, on Parnell … Bacon and the Mind sheds light on Francis Bacon’s art by exploring his motivations, and in so doing opens up new ways of understanding his paintings through three pillars; art, neuroscience and psychology.. PDF. My principal source of visual information is Muybridge, the photographer of the last 19th century who photographed human and animal movement. 4,7 von 5 Sternen 66. Bacon seems to have warmed to Giacobetti's fluid, low-tech approach. Francis Bacon Interview, free francis bacon interview software downloads The only things that interest me are people, their folly, their ways, their anguish, this unbelievable, purely accidental intelligence which has shattered the planet, and which maybe, one day, will destroy it. Rozmowy z Francisem Baconem: brutalność faktu, 1997. I'm a pain. September 2007 (englisch) John Tusa: Interview with David Sylvester (Memento vom 11. I am completely amoral and atheist, and if I hadn't painted, I would have been a thief or a criminal. I felt like I wasn't normal. David Sylvester: Interviews with Francis Bacon (1963, 1966, 1979), in: The Guardian, 13. I think there is a difficult moment in the life of a man. At one point Bragg asks Bacon why he paints “horror,” and the artist responds with, “What horror could I make to compete with the horrors that go on every single day?” September 2016 von David Sylvester (Autor) › Entdecken Sie David Sylvester bei Amazon. Even though financially we didn't really have any problems (we had a few but not a great deal), I still have the memory of a miserable childhood, as my parents were bourgeois. The two got along famously. Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born English figurative painter known for his raw, unsettling imagery. That was one of my real obsessions. Me, I'm like an albatross: I take in thousands of images like fish, then I spit them out on the canvas. An edited extract from Interviews with Francis Bacon by David Sylvester in 1963, 1966 and 1979. Please continue to respect all commenters and create constructive debates. But it didn't work. A painter is alone in front of his canvas; it's his imagination that creates, and sexuality f needs to feed on images that you see or invent. You can also choose to be emailed when someone replies to your comment. And too many exterior things have disrupted your nervous system, and the result is often disappointing. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. And pornography helps. You lose the excitement that only comes from a crude image. Borrowing inspiration from Surrealism , film, photography, and the Old Masters , he forged a distinctive style that made him one of the most widely recognized exponents of figurative art in the 1940s and 1950s. The most insightful comments on all subjects will be published daily in dedicated articles. Perhaps what we have in common is the fact that we like life above all. By imagining, you transgress all taboos, anything is possible. It’s like cooking. Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born English figurative painter known for his raw, unsettling imagery. And while Giacobetti worked, they talked. and very nice , detailed list of illustrations with size, date where it is housed Talking about bacon wiping, smudging, or otherwise messing with his brush strokes and paint Ds: I can think of … Excerpts from an interview with David Gruen, The Artist Observed: 28 Interviews with Contemporary Artists “I think that life is violent and most people turn away from that side of it in an attempt to live a life that is screened. It allows our most engaged readers to debate the big issues, share their own experiences, discuss real-world solutions, and more. I hate myself. La tache c’est l’accident. I have also painted men making love according to Muybridge’s images by using images of man fighting. He was a difficult man, very vindictive. Those that are in the studio help me to imagine details of other images. Everything is there, recorded, untalented, without staging, like a sequenced encyclopedia on the possibilities of human and animal movement. 9,99 € Nur noch 4 auf Lager (mehr ist unterwegs). Nine interviews range from 1962 to 1986, Bacon's … And he was so sharp. We've all read reviews, manifestoes, literature, criticism, and let's raise our hands here, lots and lots of jargon in the service of 20th Century Art. Erfahren Sie mehr über Author Central . It belongs on the shelf of every Bacon fan and artist, regardless of medium. I have hardly any family left and very few friends that are still alive. Gespräche mit Francis Bacon: Conversations avec Francis Bacon (NichtSoKleineBibliothek) Franck Maubert. Due to the sheer scale of this comment community, we are not able to give each post the same level of attention, but we have preserved this area in the interests of open debate. He has also been hailed as the greatest British painter since Turner. It's a work of unbelievable precision. Article bookmarked. Painting is very physical as it is, painting scenes of men in action gives me a great pleasure. I look for the suggestion of an image in comparison to another. I’ve looked at photos much more than paintings. I have also painted women's bodies, but I have destroyed a lot of the canvases. A physical need. Passion lasts and passion and freedom is seductive. FB I have never made concessions. He created a visual dictionary on movement, an animated dictionary. But men are more discreet and more inhibited. 4,2 von 5 Sternen 3. I remember crying a lot. Francis Bacon I remember my shyness above all. Besides, it's very often the opposite of natural movement. There are triptychs and diptychs, and a fascinating sequence of Bacon painting. Every art needs to use images, except for, I think, music. FRANCIS GIACOBETTI: Your painting is often described as violent… FRANICS BACON: My painting is not violent; it’s life that is violent. An artist instinctively takes all this into account. It's you who sells yourself: your talent, your instinct, your techniques. Perhaps, since I haven't been to school like other people, I have invented my own rules which please me and which above all are more suited to me.